Volume #1:
Audio |
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Avoid Clicks and Plops on Edits |
Final Cut Pro |
Setting audio levels in Final Cut Pro |
Final Cut Pro |
Making rain sound like it's outside a room |
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Matching between microphones on an interview: Separate Tracks |
Final Cut Pro |
Matching between microphones on an interview: One Track |
Final Cut Pro |
Speed Audio without changing Pitch |
Soundtrack Pro |
Reducing Echo in Recorded Audio |
Final Cut Pro |
Eliminating Hum from recorded audio |
Final Cut Pro |
Get more volume! |
Final Cut Pro |
Change the Audio Mode of a clip after capture in "Batch" mode |
Final Cut Pro |
Distribution |
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Add Chapter Markers in Compressor |
Compressor |
Getting MPEG-4 or AAC files recognized during download |
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Using Flip4Mac in Cleaner |
Flip4Mac |
Global changes to video on encoding |
Compressor |
Apply setting to multiple movies in Compressor |
Compressor |
Better Compression with Compressor: The Analysis Pass (Part 1) |
Compressor |
Better Compression, The Encoding Pass (Part 2) |
Compressor |
Better Compression, The Re-encode! (Part 3) |
Compressor |
DVD authoring |
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Take Chapter Markers from Final Cut Pro or Final Cut Express to iDVD |
Final Cut Pro |
Keeping Upper and Lower in line |
DVD Studio Pro |
Encoding to DVD - Keeping fields in order |
Compressor |
16:9 Anamorphic Workflow |
DVD Studio Pro |
Improve MPEG-2 Encode Quality |
DVD Studio Pro |
Speed import of MPEG-2 files to DVD Studio Pro |
DVD Studio Pro |
Check Disc v Test Disc |
DVD Studio Pro |
DVD Size |
DVD Studio Pro |
Locating DVD Studio Pro Templates |
DVD Studio Pro |
Editing |
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Re-log a Logged Clip |
Final Cut Pro |
Capturing and removing Advanced Pulldown from DV source |
Final Cut Pro |
Are you connecting? |
Final Cut Pro |
Importing pdf documents |
Final Cut Pro |
Need to convert MPEG-1 or MPEG-2 to editable video? |
Final Cut Pro |
How to Print Bins in Final Cut Pro |
Final Cut Pro |
Subclips from Markers |
Final Cut Pro |
Control your render resolutions |
Final Cut Pro |
Drag audio to the timeline without audio targeted |
Final Cut Pro |
Instant stills edit with Transition |
Final Cut Pro |
Swap Edits in a Timeline |
Final Cut Pro |
Import iMovie Project to Final Cut Pro |
Final Cut Pro |
Preview and Preview again! |
Final Cut Pro |
Sequence Markers are Clip Markers in another life |
Final Cut Pro |
Filter Packs |
Final Cut Pro |
RAM Preview in Final Cut Pro |
Final Cut Pro |
Clip name obscuring waveform |
Final Cut Pro |
Selectively "select and move all" |
Final Cut Pro |
Renaming column headings in Bin or Browser |
Final Cut Pro |
Separate and attach Tabs |
Final Cut Pro |
Save and Restore Timeline Layouts |
Final Cut Pro |
Mixdown Audio before Output to Tape |
Final Cut Pro |
Create a self contained movie for Output to Tape |
Final Cut Pro |
Outputting Discreet Audio Channels |
Final Cut Pro |
Exporting a Range from a Final Cut Pro Sequence |
Final Cut Pro |
Exporting Timeline segments to individual QuickTime movies |
Final Cut Pro |
Exporting Timecode from Final Cut Pro |
Final Cut Pro |
Count whole numbers to keep things sharp |
Final Cut Pro |
4:3 in 16:9 |
Final Cut Pro |
How to add motion to all clips in a Sequence |
Final Cut Pro |
Spin Clip around new anchor point |
Final Cut Pro |
Stretch clip asymmetrically |
Final Cut Pro |
Replace Clip (Content) in Timeline |
Final Cut Pro |
Viewing Color Channels |
Final Cut Pro |
Select a range of frames in a Clip or Clips |
Final Cut Pro |
Unnesting a Nested Sequence - <br>permanently or temporarily |
Final Cut Pro |
Temporarily over-ride Snapping |
Final Cut Pro |
Borders around cropped clips |
Final Cut Pro |
Remove filters from multiple clips simultaneously |
Final Cut Pro |
Use the Keyboard |
Final Cut Pro |
Adjust audio levels on the keyboard |
Final Cut Pro |
Setting the Default Length of an Imported Still |
Final Cut Pro |
Editing Movies without Final Cut Pro: Joining |
QuickTime Player |
Navigate to First and Last frame of a Clip |
Final Cut Pro |
Gearing Down |
Final Cut Pro |
Split the Timeline |
Final Cut Pro |
Apply Transition to Range |
Final Cut Pro |
Check Transition overlap |
Final Cut Pro |
Finding media for Transitions |
Final Cut Pro |
A Textured Dissolve |
Final Cut Pro |
Motion Graphic Design |
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Using LiveType textures in Final Cut Pro |
LiveType |
Adding Borders in Motion |
Motion |
Splitting Tracks in Motion |
Motion |
How to set a default project time in Motion |
Motion |
Trimming Clips in Motion |
Motion |
Paint, Draw and Design |
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For Video uses, ImageReady is your friend |
ImageReady |
Creating still image graphics for Final Cut Pro |
Final Cut Pro |
Titling |
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Adjust title size proportionally - Part 1 - Calligraphy |
Final Cut Pro |
Adjust title size proportionally - Part 2 - LiveType |
LiveType |
Adjust values in Calligraphy plug-in |
Final Cut Pro |
Change Calligraphy Text Entry Window Background Color |
Final Cut Pro |
Free "Dialog" Fonts |
LiveType |
Changing Color of LiveType media |
LiveType |
Create Light Rays shining from Text |
Motion |
Music |
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Beginning and ending songs in Soundtrack |
Soundtrack |
Transposing Key in Soundtrack |
Soundtrack |
Selecting a keyboard for Logic or GarageBand |
Logic |
Video and Computer Technology |
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Adding a Keyboard Shortcut |
OSX |
Sharing Color Palettes |
OS X |
Custom Palette from image |
OS X |
Matching black levels in DV Capture |
Final Cut Pro |
OS X Applications slow to open? |
OS X |
HD Frame sizes |
Final Cut Pro |
Copyright 2005-2009 Philip Hodgetts and Intelligent Assistance, Inc.
519 S. Victory Blvd, Burbank CA 91502, U.S.A.
phone 818-206-2415; toll-free 866-897-8924; fax 818-793-5618; email info@IntelligentAssistance.com